Showing posts with label popculture. Show all posts
Showing posts with label popculture. Show all posts

Tuesday, June 23, 2009

Valerie Solanas: "I'm Going To Shoot Andy Warhol..."

Forty-one years later, Margo Feiden finally opened a folder containing a manuscript that had sat on her bookshelf since the day Andy Warhol was shot.

She put it there after spending three hours with Valerie Solanas, who was on the fringes of Warhol’s circle. Ms. Solanas had written a play with an unprintable title and had shown up, uninvited, at Ms. Feiden’s apartment, unkempt and irrational, hoping to talk her into producing it.

Ms. Feiden, who later became an art dealer and the agent for the caricaturist Al Hirschfeld, said in a recent interview that she told Ms. Solanas she would not stage it. Solanas countered, “Oh, yes you will, because I’m going to shoot Andy Warhol.”

A few hours later, around 4 p.m. on June 3, 1968, she did.

Ms. Feiden said that Ms. Solanas had handed her the folder around noon. She said, " Ms. Solanas pulled out a gun as she left her apartment and repeated that she intended to shoot Mr. Warhol. “I told her, ‘You don’t want to do that; don’t go kill him."

As Ms. Solanas was gone, Feiden said, she made any number of telephone calls to people who could have warned Warhol. She did not know how to reach him directly but called a cousin, who knew Warhol. She said she also dialed her local police precinct house; Police Headquarters in Manhattan; and the City Hall office of the mayor at the time, John V. Lindsay. No one called back. She put the folder on her bookshelf and kept quiet out of concern for the safety of her daughter, then 18 months old. Her concern deepened with testimony at Ms. Solanas’s trial that suggested Ms. Solanas’s motivation for the shooting was that Warhol had misplaced or lost a copy of the play. (In 1980, Warhol wrote that he had “looked through it briefly, and it was so dirty” that he suspected Ms. Solanas was working for the police on “some kind of entrapment.”)

Ms. Feiden decided to set the record straight after watching a public television documentary that said Ms. Solanas had been at the Chelsea Hotel in Manhattan on the morning of the shooting. “That’s not the way it was, she was with me all that morning. She left my living room with a gun with the stated purpose of shooting Andy Warhol.”

Ms. Feiden remembered the folder, which she put on the shelf that afternoon. Inside were about 30 mimeographed pages — 30 pages that John McWhinney, a Manhattan manuscript dealer, said were not in two other copies of Ms. Solanas’s play that he has sold. “It’s either a continuation or it’s something that Valerie was working on, a script that was yet to be titled,” he said.

Stuart Pivar, who founded the New York Academy of Art with Warhol and became a close friend of his, said Ms. Feiden’s account “seems to ring true in every single thing that she says.” He also said that he hoped the play, with the extra 30 pages, would be produced. Feiden is stuck between the answer she gave Ms. Solanas — no way — and yes. “But then she’d be getting exactly what she wanted by shooting him, so I’m on a seesaw."

She still hasn't read those 30 pages.

-James Barron ("A Manuscript, a Confrontation, a Shooting," New York Times, City Blog, 6.23.09. Image:

Monday, September 8, 2008

American Culture: Me, Me, Me, & The Sleep Of Reason...

"No one ever went broke underestimating the intelligence of the American public,"

said H.L. Mencken in the era of Babbitt and the Scopes "monkey" trial. Several generations later, one might speculate that no publisher has ever lost money with a book accusing Americans — particularly young ones — of being stupid.

The most influential book in that genre is surely Richard Hofstadter's Anti-Intellectualism in American Life (1963), in which he argues that the American dislike for educational elitism derives from a number of interlocking cultural legacies, including religious fundamentalism, populism, the privileging of "common sense" over esoteric knowledge, the pragmatic values of business and science, and the cult of the self-made man. With some cyclical variation, Americans tend to distrust, resent, and even feel moral revulsion toward "intellectuals."

As an English professor, I can attest to the power of that element in American culture, as can just about anyone in any academic field without direct, practical applications. When a stranger asks me what I do, I usually just say, "I'm a teacher." The unfortunate follow-up remarks — usually about political bias in the classroom and sham apologies for their poor grammar meant to imply that I am a snob — usually make me wish I had said, "I sell hydraulic couplers," an answer more likely to produce hums of respectful incomprehension.

If the situation was bad in Hofstadter's time, it's grown steadily worse over the past 40 years. The anti-intellectual legacy he described has often been used by the political right — since at least the McCarthy era — to label any complication of the usual pieties of patriotism, religion, and capitalism as subversive, dangerous, and un-American. And, one might add, the left has its own mirror-image dogmas. Now, in the post-9/11 era, American anti-intellectualism has grown more powerful, pervasive, and dangerous than at any time in our history, and we have a duty — particularly as educators — to foster intelligence as a moral obligation.

For academics on the political left, the last eight years represent the sleep of reason producing the monsters of our time: suburban McMansions, gas-guzzling Hummers, pop evangelicalism, the triple-bacon cheeseburger, Are You Smarter Than a Fifth-Grader?, creation science, waterboarding, environmental apocalypse, Miley Cyrus, and the Iraq War — all presided over by that twice-elected, self-satisfied, inarticulate avatar of American incuriosity and hubris: he who shall not be named.

Just How Stupid Are We?: Facing the Truth About the American Voter (2008), by Richard Shenkman, argues that the dumbing down of our political culture is linked to the decline of organized labor and local party politics, which kept members informed on matters of substance. Building on arguments put forward in books such as What's the Matter With Kansas?: How Conservatives Won the Heart of America (2004), by Thomas Frank, Shenkman shows how the political right has been able to don the populist mantle even as it pursues policies that thwart the economic and social interests of the average voter.

Meanwhile, the political left is unable to argue that those average Americans are in some way responsible for their own exploitation because they are too shallow and misinformed — too stupid — to recognize their own interests. One of Shenkman's solutions is to require voters to pass a civics exam.

Former Vice President Al Gore obviously has a dog in this hunt, and his book The Assault on Reason (2007) argues that the fundamental principles of American freedom — descended from the Enlightenment — are being corrupted by the politics of fear, the abuse of faith, the power of an increasingly centralized media culture, and degradation of political checks and balances favoring an imperial presidency. The results of that perfect storm include the aftermath of Hurricane Katrina, the continuing threat of global warming, the squandering of respect and sympathy for the United States after 9/11, and the nation's dependence on foreign oil.

Most notably, Gore argues that the democratization of information and the community-building power of the Internet can play important roles in the creation of a "well-connected" citizenry and the restoration of a rational democracy. Nevertheless, several books — with an emphasis on education and the young — argue that it is precisely the point-and-click culture of the Internet that is damaging our intelligence and our civic culture.

Always On: Language in an Online and Mobile World (2008), by Naomi S. Baron, shows how the proliferation of electronic communication has impaired students' ability to write formal prose; moreover, it discourages direct communication, leading to isolation, self-absorption, and damaged relationships. Worst of all, the prevalence of multi-tasking — of always being partly distracted, doing several things at once — has diminished the quality of our thought, reflection, self-expression, and even, surprisingly, our productivity. Baron's solution is to turn off the distractions and focus on the task and people at hand.

Carr, author of The Big Switch: Rewiring the World, From Edison to Google (2008), argues that daily use of the Internet may be rewiring our brains for skimming rather than for the sustained concentration that is required for reading books, listening to lectures, and writing long essays. Obviously, such rewiring is going to have the biggest impact on the rising generation appearing in our college classrooms: the "digital natives."

The Dumbest Generation: How the Digital Age Stupefies Young Americans and Jeopardizes Our Future (2008), by Mark Bauerlein, provides alarming statistical support for the suspicion — widespread among professors (including me) — that young Americans are arriving at college with diminished verbal skills, an impaired work ethic, an inability to concentrate, and a lack of knowledge even as more and more money is spent on education.

It seems that our students are dumb and ignorant, but their self-esteem is high so they are impervious or hostile to criticism. Approaching his subject from the right, Bauerlein mentions the usual suspects — popular culture, pandering by educators, the culture war, etc. — but also reserves special attention for the digital technologies, which, for all their promise, have only more deeply immersed students in the peer obsessions of entertainment and fashion rather than encouraging more mature and sustained thought about politics, history, science, and the arts.

For Bauerlein, the future of American democracy "looks dim" unless we can counter the youth culture with respect for the knowledge of those over 30.

The most wide-ranging cultural study — extending Hofstadter's analysis up to the present — is Susan Jacoby's The Age of American Unreason (2008), in which she argues that American anti-intellectualism has reached unprecedented heights thanks to the converging influences of junk science, fundamentalism, celebrity-obsessed media, identity politics, urban-gang culture, political correctness, declining academic standards, moral relativism, political pandering, and the weakening of investigative journalism, among other factors. Jacoby also supports the view that technology has damaged our ability to focus and think deeply. Her vision of the future is a nation that is unprepared for the global challenges we face.

As someone involved in education, I take the concerns of all of those writers quite seriously: The abilities and attitudes of students affect my life on a daily basis. It is my job, as I see it, to combat ignorance and foster the skills and knowledge needed to produce intelligent, ethical, and productive citizens. I see too many students who are:

*Primarily focused on their own emotions — on the primacy of their "feelings" — rather than on analysis supported by evidence.

*Uncertain what constitutes reliable evidence, thus tending to use the most easily found sources uncritically.

*Convinced that no opinion is worth more than another: All views are equal.

*Uncertain about academic honesty and what constitutes plagiarism. (I recently had a student defend herself by claiming that her paper was more than 50 percent original, so she should receive that much credit, at least.)

*Unable to follow or make a sustained argument.

*Uncertain about spelling and punctuation (and skeptical that such skills matter).

*Hostile to anything that is not directly relevant to their career goals, which are vaguely understood.

*Increasingly interested in the social and athletic above the academic, while "needing" to receive very high grades.

*Not really embarrassed at their lack of knowledge and skills.

*Certain that any academic failure is the fault of the professor rather than the student.

On the other hand, I am not so pessimistic about the abilities of the "digital natives." Different generations have different ways of knowing — different configurations of multiple intelligences. Pick your era and your subject: How many of us know anything about farming anymore or how to read the changing of the seasons? How many of us know how to repair an automobile or make a cake from scratch?

Of course, we lament that the skills we have acquired at great pains can become lost to the next generation, but we can hardly reverse all of it. And it may be that the young are better adapted to what is coming than we are.

-Thomas H. Benton (Excerpt: "An Academic in America: On Stupidity," The Chronicle of Higher Education, 8.1.08. Image:"Fahrenheit 451" (based on the novel by Ray Bradbury) directed by Francois Truffaut, 1966).

Friday, March 21, 2008

Dinner With Andy Warhol

Date: Fall of 1985
Place: New York City
Restaurant: NOBU- 57th and 6th Ave
Cuisine: Japanese
Courses: 8

The Introduction:

The back of his fried blonde head sat three rows in front of me. I felt…important.

She and I were dressed to the nines that night. We had just seen a bad fashion show at the institute and had walked outside. I was in the midst of hailing a cab when I felt three gentle taps on my shoulder. I turned around and he softly said, “Would you girls like to have dinner with us tonight?” I stared at his waxen pocked-marked complexion and two-toned owl-eyed sunglasses, which obliterated his eyes for about 5 seconds before coolly replying, “Yes.” He took my arm and said, “You and she will ride with me and the others will follow.” The others were Jean-Michel Basquiat, his latest smacked out protégé, Eric Goode, the owner of AREA and Elizabeth Saks of 5th Ave.

The Cab Ride:

We sat in the back seat. He insisted on the middle position and soon began an onslaught of questions:

“What’s your name?”

“Where are you from?”

“Ohio!” I’m from the Midwest too. Pittsburgh. Terrible place. Have you ever been there?”

“What do you do? Do you go to school? “What School? What do you study?”

Before we could barely answer, he would interject little compliments:

“Oh, that’s super!” “You’re Super!”…”Super”
“Oh, you’re beautiful!” “You’re beautiful” …Beautiful.”

“Michelle, who’s your favorite Movie Star?”

“Marilyn! I met Marilyn. Tragic. You have a great voice, you know. It sounds a lot like hers did.”

I said nothing. My heart was pounding.

“It’s true. Her voice was much deeper in real life. That little girl voice was only for her films.”

His voice was surprisingly soft with a slight snake-edged undertone.

I suddenly felt like I was being conned.

The Restaurant:

The owner—an excitable middle-aged Japanese man greeted us at the door. Immediately, he asked Andy for his autograph. Andy signed the book and said, “You both should sign it too.” but never handed us the book.

We waited in the lobby while the private dining room was being prepared. The other party soon arrived and blandly introduced themselves. Basquiat mumbled a hello and said nothing else the entire evening. The other two giggled and necked in the corner. Andy mentioned he was going to make a new movie.

No one responded.

We were ushered into a beautiful dining room—no chairs. Cushions. No shoes permitted. Two Geisha Girls waited at either side of a huge cherry wood table. I sat at the end opposite Andy and beside Basquiat who immediately produced a Tupperware container full of pot and put it beside him.

The owner ecstatically announced we were going to experience a traditional Japanese meal served in traditional Japanese style. He grandly stated that he would introduce each course as it was served.

An awkward silence.

Andy simply nodded and asked me what I wanted to drink.

“Ah a martini! I love a girl who can guzzle gasoline.”

He smiled at me. Ordered a Coke and began to gossip:

“Do you know Nikki Haskell?”

“Yes” (I lied)

“What do you think of her?”

“She’s great.”

“Oh, really? I think she’s terrible. Oh, you girls are super! Jean Michel, we should put her in our next film!”

Basquiat said nothing. The other two snickered. My friend looked like someone stuck a poll up her ass and I…ordered another martini.

To change the subject, I asked him about the past. I mentioned that I had read the book, EDIE and wondered how factual it really was.

He simply said, “Edie who?”

Succubus.

Dinner was served.

I don’t remember any more conversations probably because there were none. I do remember having difficulty eating my blowfish. Andy barely ate anything. Basquiat never smoked any of his pot nor offered it to anyone else. Elizabeth Saks and Eric Goode played footsy under the table with Basquiat. My friend continued to look uncomfortable and I ordered yet…another martini.

Andy paid the check, knelt at my feet and asked if he could help me put my black riding boots on. My hand on his shoulder, I let him do most of the work. He was tender and took his time. I wondered…

The owner offered to drive us downtown to AREA. We piled into his Mercedes limo. Andy sat in the front. We drove in silence. Said Thank yous and curt Goodbyes before entering the club.

That was the last we saw of them.

-VioletPlanet ( Image: -Unknown, Andy Warhol & Edie Sedgwick at a cocktail party, 1960s).