Showing posts with label movies society. Show all posts
Showing posts with label movies society. Show all posts

Monday, May 31, 2010

21st Century Society: The Empathy Deficit, Children & The Rise of Narcissism...

"A morality practiced without empathy squanders the conscience." -Howard Hall

College students who hit campus after 2000 have empathy levels that are 40% lower than those who came before them, according to a stunning new meta-analysis presented to at the annual meeting of the Association for Psychological Science by University of Michigan researchers. It includes data from over 14,000 students.

Although we argue in "Born for Love: Why Empathy Is Essential--and Endangered" that modern child-rearing practices are putting empathy at risk, this is the largest study presented so far to quantify the decline.

Previous research done by psychologist Jean Twenge had measured what she labeled a "narcissism epidemic," with more students showing selfish qualities and with increases in traits that can lead to a diagnosis of narcissistic personality disorder. That is a condition in which people are so self-involved that other people are no more than objects to reflect their glory.

But I was less than convinced by that data because some of the measures of narcissism--statements like "I am a special person," might reflect a lifetime spent in classrooms aimed at raising self-esteem rather than a true increase in self-centeredness. The survey on empathy used in this study--which you can take for yourself: HERE however, is another matter.

While it so obviously measures empathy that you could easily game it to make yourself look kinder and nicer, the fact that today's college students don't even feel compelled to do that suggests that the study is measuring something real. If young people don't even care about seeming uncaring, something is seriously wrong. Another survey in the research found that people also think that others around them are less compassionate.

Why might today's students be less empathetic than their elders?

One of the culprits we identify in "Born for Love" is the way that they spent most of their time early in life. Today's kids play outdoors much less, and they spend far less time in unstructured activity with others than prior generations.

Without unstructured free time with playmates, children simply don't get to know each other very well. And you can't learn to connect and care if you don't practice these things. Free play declined by at least a third between 1981 and 2003, right when the kids who hit college in 2000 and later were growing up.

Worse, much of the time that used to be spent playing outdoors is now spent in front of screens. Television, obviously cannot teach empathy. Even nonviolent kids' TV, research finds, is filled with indirect aggression and linked to increased real-world bullying. Though social media is an improvement on passive TV viewing and can sometimes aid real friendships, it is still less rich than face to face interaction. This is especially important for the youngest children whose brains are absorbing social information that will shape the way they connect for the rest of their lives.

Another factor is the "self esteem movement" and its pernicious notion that "you can't love anyone else until you love yourself." Today's kids grew up with parents who were taught by therapists and self help groups attended by millions that caring too much for other people or having your happiness tied to theirs was "co dependence," and that people should be able to be happy on their own, needing no one.

In reality, we need each other to be both mentally and physically healthy. Solitary confinement, in fact, is one of the most stressful experiences someone can undergo: this wouldn't be true if most people were happy without social contact. Normal people kept in complete isolation can become psychotic in as little as a few days.

Further, unless you have been loved well from infancy, loving others is difficult--children who are resilient to early trauma are those who find others to care for them to make up for abusive or neglectful caregivers. If the only love they get is from a therapist or teacher who tells them to love themselves before trying to make other connections, they are extremely unlikely to recover.

Perhaps an even larger factor is the merging of the left's "do your own thing" individualism with the right's glorification of brutal competition and unfettered markets. You wind up with a society that teaches kids that "you're on your own" and that helping others is for suckers. A country where the mystical new age "Secret" is that the rich deserve their wealth and got it by being positive and good--while the poor, too, get what's coming to them because they didn't try hard enough.

At the same time, deregulation and reduced taxes on the wealthy from Reagan onwards produced massive growth in economic inequality, which is probably also a critical part of empathy's decline. Empathy requires an ability to understand others--it's easiest to do this when you spend time them regularly and know how to read them.

Economic inequality, however, by radically separating the rich from the poor and shrinking the middle class, literally physically isolates us from each other and provides few opportunities for connection or understanding. If you spend your time in limos and gated communities and first class, you aren't likely ever to meet poor people who aren't there to serve you; outside that context, you won't know how to relate to them.

And then, if you know nothing about someone's real situation, it's easy to caricature it as being defined by bad choices and laziness, rather than understand the constraints and limits the economy itself imposes. Seeing yourself doing so well and others doing poorly tends to bolster ideas that "you deserve your wealth," simply because guilt otherwise becomes uncomfortable, even unbearable.

In reality, self esteem doesn't come from thinking positive or telling yourself that you are special or worthy, though telling kids they are rotten and selfish can surely destroy it. And, sadly, you can be optimistic all you like in an economy with 20% unemployment and still not get a job through no fault of your own.

So what can be done about what President Obama as a candidate presciently labeled the "empathy deficit"?

The key thing is to recognize the value of relationships and the fact that we are not independent but interdependent. We all need each other. We're actually both happier and healthier if we're kind.

Countries with high economic inequality tend to have high crime, high corruption, low levels of trust, high infant mortality and lowered life expectancy-- as well as difficulty growing their economies. In contrast, those with lower inequality have higher happiness, greater health, lower crime, better growth and longer life.

And so, if, say, health care for all or better unemployment benefits or higher quality schools means that those lucky enough to have well-paying jobs have to pay higher taxes, well, is that really so terrible?

If we continue to believe that it is, if we continue to split into "us" v. "them," "haves" v. "have nots," the empathy decline will undoubtedly continue and we will face a meaner, nastier world in which ideas about humans being selfish and competitive rather than caring become a self fulfilling prophecy by crushing the tendency toward kindness with which we are all born.

CREDITS: -Maia Szalavitz, ("Shocker: Empathy Dropped 40% in College Students Since 2000", Psychology Today, 5.28.2010. Image:- LitteredGlass, "Children Playing Marbles, Flickr, 1970).

Saturday, March 28, 2009

Statistics: Watching Ourselves Into A Stupor: The Lure Of The Screen...

"I invite you to sit down in front of your television set when your station goes on the air... and keep your eyes glued to that set until the station signs off. I can assure you that you will observe a great wasteland."
-Newton N. Minow, ( Speech - National Assn. of Broadcasters, Washington., DC, 5.9.1961).

PART I: SCREENS:

Adult Americans spend an average of more than eight hours a day in front of screens -- televisions, computer monitors, cellphones or other devices, according to a new study. The study also found that live television in the home continues to attract the greatest amount of viewing time with the average American spending slightly more than five hours a day in front of the tube.

The figure drops to 210 minutes a day of average TV viewing time among 18-24 year olds but rises to 420 minutes a day among those aged 65 and older.

The "Video Consumer Mapping" study was conducted by Ball State University's Center for Media Design (CMD) and Sequent Partners for the Nielsen-funded Council for Research Excellence (CRE). For the year-long study, observers recorded the exposure of 350 subjects to four categories of screens: traditional television, computers, mobile devices and other screens such as store displays, movie screens and even GPS navigation units. The study found the average amount of screen time for all age groups was "strikingly similar" at more than eight-and-a-half hours although the type of devices and duration used by the respective groups throughout the day varied.

It found that people aged 45 to 54 averaged the most daily screen time at just over nine-and-a-half hours. The study did not include anyone under the age of 18.

Among other finds:
  • Computer video consumption tends to be quite small with an average time of just over two minutes a day.
  • Adults spend an average of 6.5 minutes a day with videogame consoles with the number rising to 26 minutes a day among those aged 18-24
  • Adults spend an average 142 minutes a day in front of computer screens
  • Adults spend an average 20 minutes a day engaged with mobile devices with the highest usage -- 43 minutes a day -- among the 18-24 age group
"What differentiates this study from all other attempts to measure video exposure at the consumer level is its scale, the range of media covered and the fact that it is focused on consumers first and the media second," said Mike Bloxham, director of insight and research for Ball State's CMD. "It’s not a study about TV or the Web or any other medium -- it’s about how, where, how often and for how long consumers are exposed to all media."

PART II: JUST TELEVISION STATISTICS:

1. Watching:

According to the A.C. Nielsen Co., the average American watches more than 4 hours of TV each day (or 28 hours/week, or 2 months of nonstop TV-watching per year). In a 65-year life, that person will have spent 9 years glued to the tube
  • Percentage of households that possess at least one television: 99
  • Number of TV sets in the average U.S. household: 2.24
  • Percentage of U.S. homes with three or more TV sets: 66
  • Number of hours per day that TV is on in an average U.S. home: 6 hours, 47 minutes
  • Percentage of Americans that regularly watch television while eating dinner: 66
  • Number of hours of TV watched annually by Americans: 250 billion
  • Value of that time assuming an average wage of S5/hour: S1.25 trillion
  • Percentage of Americans who say they watch too much TV: 49
2. Children:
  • Approximate number of studies examining TV's effects on children: 4,000
  • Number of minutes per week that parents spend in meaningful conversation with their children: 3.5
  • Number of minutes per week that the average child watches television: 1,680
  • Percentage of day care centers that use TV during a typical day: 70
  • Percentage of parents who would like to limit their children's TV watching: 73
  • Percentage of 4-6 year-olds who, when asked to choose between watching TV and spending time with their fathers, preferred television: 54
  • Hours per year the average American youth spends in school: 900 hours
  • Hours per year the average American youth watches television: 1500
3. Violence:
  • Number of murders seen on TV by the time an average child finishes elementary school: 8,000
  • Number of violent acts seen on TV by age 18: 200,000
  • Percentage of Americans who believe TV violence helps precipitate real life mayhem: 79
4. Commercialism:
  • Number of 30-second TV commercials seen in a year by an average child: 20,000
  • Number of TV commercials seen by the average person by age 65: 2 million
  • Percentage of survey participants (1993) who said that TV commercials
  • aimed at children make them too materialistic: 92
  • Rank of food products/fast-food restaurants among TV advertisements to kids: 1
  • Total spending by 100 leading TV advertisers in 1993: $15 billion
5. General:
  • Percentage of local TV news broadcast time devoted to advertising: 30
  • Percentage devoted to stories about crime, disaster and war: 53.8
  • Percentage devoted to public service announcements: 0.7
  • Percentage of Americans who can name The Three Stooges: 59
  • Percentage who can name at least three justices of the U.S. Supreme Court: 17
- (Part I: "Americans Spend Eight Hours a Day on Screens," Breitbart.com 3.27.2009, Part II: TV-Free America, 2008. Image: -SweetyViolence, Deviantart.com, 2008 ).

Friday, February 13, 2009

Love & The Forces Of Human Destiny: Just...A Place In The Sun

The Moment:


George: I love you. I've loved you since the first moment I saw you. I guess maybe I've even loved you before I saw you.

Angela: You're the fellow that wondered why I invited you here tonight. Well, I'll tell you why. I love...Are they watching us?

(Angela pulls George away from the party onto a balcony)

Angela: I love you, too. It scares me. But it is a wonderful feeling.

George: It's wonderful when you're here. I can hold you. I can, I can see you. I can hold you next to me. But what's it gonna be like next week? All summer long? I'll still be just as much in love with you. You'll be gone.


Angela: But I'll be at the lake. You'll come up and see me. Oh, it's so beautiful there. You must come. I know my parents will be a problem, but you can come on the weekends when the kids from school are up there. You don't have to work weekends. That's the best time. If you don't come, I'll drive down here to see you. I'll pick you up outside the factory. You'll be my pickup. Oh, we'll arrange it somehow, whatever way we can. We'll have such wonderful times together, just the two of us.

George:  I am the happiest person in the world.

Angela: The second happiest.

George: Oh, Angela, if I could only tell you how much I love you, if I could only tell you all....

Angela: Tell mama, tell mama all.


- Michael Wilson & Harry Brown ("A Place In The Sun," directed by George Stevens. Image: Elizabeth Taylor & Montgomery Clift kiss on the balcony, 1951).

Footnote: Based on the classic novel "An American Tragedy" by Theodore Dreiser. Themes: "One man’s losing struggle against forces that shape human destiny. According to Dreiser and other writers of Naturalism, the destiny of a human being results from hereditary, environmental, economic, social, and fatalistic forces that act upon him."(- Michael Cummings, 2006).

Friday, December 26, 2008

The Salesmen: Smash The Mirror & Face The Truth...

'There are no hard distinctions between what is real and what is unreal, nor between what is true and what is false. A thing is not necessarily either true or false; it can be both true and false.' -Harold Pinter (1958).

"I believe that these assertions still make sense and do still apply to the exploration of reality through art. So as a writer I stand by them but as a citizen I cannot. As a citizen I must ask: What is true? What is false?

Truth in drama is forever elusive. You never quite find it but the search for it is compulsive. The search is clearly what drives the endeavor. The search is your task. More often than not you stumble upon the truth in the dark, colliding with it or just glimpsing an image or a shape which seems to correspond to the truth, often without realizing that you have done so. But the real truth is that there never is any such thing as one truth to be found in dramatic art. There are many. These truths challenge each other, recoil from each other, reflect each other, ignore each other, tease each other, are blind to each other. Sometimes you feel you have the truth of a moment in your hand, then it slips through your fingers and is lost.

I have often been asked how my plays come about. I cannot say. Nor can I ever sum up my plays, except to say that this is what happened. That is what they said. That is what they did.

It's a strange moment, the moment of creating characters who up to that moment have had no existence. What follows is fitful, uncertain, even hallucinatory, although sometimes it can be an unstoppable avalanche. The author's position is an odd one. In a sense he is not welcomed by the characters. The characters resist him, they are not easy to live with, they are impossible to define. You certainly can't dictate to them. To a certain extent you play a never-ending game with them, cat and mouse, blind man's buff, hide and seek. But finally you find that you have people of flesh and blood on your hands, people with will and an individual sensibility of their own, made out of component parts you are unable to change, manipulate or distort.

So language in art remains a highly ambiguous transaction, a quicksand, a trampoline, a frozen pool which might give way under you, the author, at any time.

But as I have said, the search for the truth can never stop. It cannot be adjourned, it cannot be postponed. It has to be faced, right there, on the spot.

Political language, as used by politicians, does not venture into any of this territory since the majority of politicians, on the evidence available to us, are interested not in truth but in power and in the maintenance of that power. To maintain that power it is essential that people remain in ignorance, that they live in ignorance of the truth, even the truth of their own lives. What surrounds us therefore is a vast tapestry of lies, upon which we feed.

As every single person here knows, the justification for the invasion of Iraq was that Saddam Hussein possessed a highly dangerous body of weapons of mass destruction, some of which could be fired in 45 minutes, bringing about appalling devastation. We were assured that was true. It was not true. We were told that Iraq had a relationship with Al Quaeda and shared responsibility for the atrocity in New York of September 11th 2001. We were assured that this was true. It was not true. We were told that Iraq threatened the security of the world. We were assured it was true. It was not true.

The truth is something entirely different. The truth is to do with how the United States understands its role in the world and how it chooses to embody it.

But before I come back to the present I would like to look at the recent past, by which I mean United States foreign policy since the end of the Second World War. I believe it is obligatory upon us to subject this period to at least some kind of even limited scrutiny, which is all that time will allow here.

Everyone knows what happened in the Soviet Union and throughout Eastern Europe during the post-war period: the systematic brutality, the widespread atrocities, the ruthless suppression of independent thought. All this has been fully documented and verified.

But my contention here is that the US crimes in the same period have only been superficially recorded, let alone documented, let alone acknowledged, let alone recognized as crimes at all. I believe this must be addressed and that the truth has considerable bearing on where the world stands now. Although constrained, to a certain extent, by the existence of the Soviet Union, the United States' actions throughout the world made it clear that it had concluded it had carte blanche to do what it liked.

Direct invasion of a sovereign state has never in fact been America's favored method. In the main, it has preferred what it has described as 'low intensity conflict'. Low intensity conflict means that thousands of people die but slower than if you dropped a bomb on them in one fell swoop. It means that you infect the heart of the country, that you establish a malignant growth and watch the gangrene bloom. When the populace has been subdued - or beaten to death - the same thing - and your own friends, the military and the great corporations, sit comfortably in power, you go before the camera and say that democracy has prevailed. This was a commonplace in US foreign policy in the years to which I refer.

The United States supported and in many cases engendered every right wing military dictatorship in the world after the end of the Second World War. I refer to Indonesia, Greece, Uruguay, Brazil, Paraguay, Haiti, Turkey, the Philippines, Guatemala, El Salvador, and, of course, Chile. The horror the United States inflicted upon Chile in 1973 can never be purged and can never be forgiven.

Hundreds of thousands of deaths took place throughout these countries. Did they take place? And are they in all cases attributable to US foreign policy? The answer is yes they did take place and they are attributable to American foreign policy. But you wouldn't know it.

It never happened. Nothing ever happened. Even while it was happening it wasn't happening. It didn't matter. It was of no interest. The crimes of the United States have been systematic, constant, vicious, remorseless, but very few people have actually talked about them. You have to hand it to America. It has exercised a quite clinical manipulation of power worldwide while masquerading as a force for universal good. It's a brilliant, even witty, highly successful act of hypnosis.

I put to you that the United States is without doubt the greatest show on the road. Brutal, indifferent, scornful and ruthless it may be but it is also very clever. As a salesman it is out on its own and its most saleable commodity is self love. It's a winner. Listen to all American presidents on television say the words, 'the American people', as in the sentence, 'I say to the American people it is time to pray and to defend the rights of the American people and I ask the American people to trust their president in the action he is about to take on behalf of the American people.'

It's a scintillating stratagem. Language is actually employed to keep thought at bay. The words 'the American people' provide a truly voluptuous cushion of reassurance. You don't need to think. Just lie back on the cushion. The cushion may be suffocating your intelligence and your critical faculties but it's very comfortable. This does not apply of course to the 40 million people living below the poverty line and the 2 million men and women imprisoned in the vast gulag of prisons, which extends across the US

When we look into a mirror we think the image that confronts us is accurate. But move a millimeter and the image changes. We are actually looking at a never-ending range of reflections. But sometimes a writer has to smash the mirror - for it is on the other side of that mirror that the truth stares at us.

I believe that despite the enormous odds which exist, unflinching, unswerving, fierce intellectual determination, as citizens, to define the real truth of our lives and our societies is a crucial obligation which devolves upon us all. It is in fact mandatory.

If such a determination is not embodied in our political vision we have no hope of restoring what is so nearly lost to us - the dignity of man."

-Harold Pinter (Excerpt: Nobel Lecture, "Art, Truth and Politics," Swedish Academy, Stockholm, 12. 7. 2005. Image: -Henry Wolf, Poster for the documentary, "Salesman" directed by Albert Maysles, David Maysles & Charlotte Zwerin, 1968 ).

Saturday, November 22, 2008

The Metamorphosis: Scandal, Ignorance & A Bottomless Pit of Self-Justification...

"Scandal is our growth industry. Revelation of wrongdoing leads not to definitive investigation, punishment, and expiation but to more scandal. Permanent scandal. Frozen scandal. The weapons of mass destruction that turned out not to exist. The torture of detainees who remain forever detained. The firing of prosecutors which is forever investigated. These and other frozen scandals metastasize, ramify, self-replicate, clogging the cable news shows and the blogosphere and the bookstores. The titillating story that never ends, the pundit gabfest that never ceases, the gift that never stops giving: what is indestructible, irresolvable, unexpiatable is too valuable not to be made into a source of profit.

Scandal, unpurged and unresolved, transcends political reality to become commercial fact.

We remember, many of us, a different time. However cynically we look to our political past, it is there that we find our political Eden: Vietnam and its domestic denouement, Watergate—the climax of a different time of scandal that ended a war and brought down a president. In retrospect those events unfold with the clear logic of utopian dream.

1. Revelation: intrepid journalists exposing the gaudy, interlocking crimes of the Nixon administration.

2. Investigation: not just by the press—for that was but precursor, the necessary condition—but by Congress and the courts. Investigation, that is, by the polity, working through its institutions to construct a story of grim truth that citizens can in common accept.

3. Expiation: the handing down of sentences, the politicians in shackles led off to jail, the orgy of public repentance. The exorcism of shame, the purging of the political system, and the return to a state, however imperfect, of societal grace.

It is a myth, of course, but a lovely one. It relies on images of power, the press, and the people that fit our collective longing—for justice, for heroism, and for ultimate goodness residing in a people who, once alerted to wrongdoing, insist on its rectification. The obstacle to this natural self-cleansing of our political life can only be the people's ignorance. For if they know, and the corruption and scandals persist—well, how can the people be good? No, what must be missing then—so the myth implies—is clarity, revelation. What is missing is the gatekeepers of our ignorance whose duty it is to draw the curtain back from scandal and show the people everything, thereby starting the polity on the road to inexorable justice.

Information is all. Information, together with the people's natural sense of the good and the right, leads to expiation and society's inevitable cleansing.

Scandals, the more complicated and richer the plotlines the better, have above all to endure. Scandals provide the fodder for on-air confrontation, the verbal slash and parry—which is what television, a terrible medium for conveying information of any complexity, does best, and does most cheaply. Scandals provide subplots and minor characters and spin-offs. They offer, to the post-Watergate, high-profile, well-coiffed, colleague-of-the-powerful journalist hero of today—could anything be further from the deeply irreverent working stiff cracking wise in Howard Hawks's "His Girl Friday" - the true venue for the highest practice of his art, the television studio.

That art relies on, or anyway thrives on, scandal. Scandal denotes success. Scandal shows he is doing his job. Scandal means pay dirt. And scandal represents that media-age dream, the perpetual story. Scandal can be rehashed, debated, photographed, from initial leak, to perp walk, to hearing, to trial, to appeal.

Scandal offers an endless stream of what the business is after all supposed to be about: news. As in: what is new.

Scandal brings the heart-pumping, breath-gulping surge of stop-the-presses excitement, letting us know that into our fallen world the Gods of Great Events have finally come down from on high to intervene. Scandal represents movement, the audible cracking of the ice. And yet it is all an illusion, for beneath the rapidly moving train of gaudily hyped "breaking news," beneath all the grave and breathless stand-ups before the inevitable pillars of public buildings, beneath the swirling, gyrating phantasmagoria of scandal lies a kind of dystopian stasis.

Everything changes and nothing does.

It is not information, it is politics. If we have learned anything this past decade it is that "the people," that vaunted repository of public good—"the people always find out"—the people are willing and able to live with quite a lot. They read, watch television, grunt a pox on all their houses, and turn back to their dinners. Thanks to the efficiency of our age of scandal we now know as never before what the public is willing to live with. "Now you have shown independence, commendable independence," Barack Obama said to John McCain in the third debate, "on some key issues—torture, for example." Torture has metamorphosed, these past few years, from an execrable war crime to a "key issue." From something forbidden by international treaty and condemned by domestic law to...something to be debated. Something one can stand on either side of.

Something we can live with.

What notes on scandal could be complete without mention of the presiding master-scandal of our age, The War. One uses capitals to denote not a set of discrete events—a set of particular people being cut down or blown apart by particular violent actions at particular times—but a state of mind. Threat becomes not only a political shield but what is in the end much more dangerous: a source of bottomless self-justification. What is dangerous is not only that our leaders have endlessly maintained that they are right but that they believe they are. George Bush, as he declared to the world in a proudly emphatic phrase, had been reborn as a "war president."

George Orwell has long since surveyed this ground, most famously in 1984, in his perpetual war between Eastasia, Eurasia, and Oceania, a never-ending, shape-shifting struggle that, if we judge it by the standards of previous wars, is merely an imposture. It is like the battles between certain ruminant animals whose horns are set at such an angle that they are incapable of hurting one another. But though it is unreal it is not meaningless.... It helps to preserve the special mental atmosphere that a hierarchical society needs.

How will history choose to explain a war launched in the cause of ridding the world of weapons of mass destruction that turned out not to exist? It is a tantalizing question. Will the Iraq War take its place as a historical curiosity, alongside the Guano War of the nineteenth century or the Soccer War of the twentieth? And how interested will our descendants be in the response of our democratic polity: the investigations that, like dinosaurs slowly rousing themselves from the mudhole, ever so slowly got under way and then, after years of lumbering effort—hundreds of hours of testimony, thousands of documents examined—finally discovered...What...?

In the end, there was, alas, no "smoking gun."

-Mark Danner (Excerpt: "Frozen Scandal,"NY Review Of Books, Volume 55, Number 19 · 12.4.2008. Image: Poster for "The Pit And The Pendulum," directed by Roger Corman, 1961).

Monday, October 20, 2008

John Ralston Saul: Elitism, Expertise & A Mythical Moral Code...

"The Industrial Revolution had caused a severe mental trauma, one that still reaches out and extinguishes the memory of certain people. For them, modern history begins from a big explosion--the Industrial Revolution. This is a standard ideological approach: a star crosses the sky, a meteor explodes, and history begins anew."

" In the West, there had been a persistent growth of corporatism in spite of the outcome of the last world war. And that this growth continued. Why would this be shocking? Because corporatism was part of the anti-democratic underpinnings of Fascist Italy in particular, but also of Nazi Germany. Beneath the uniforms and the military ambitions and the dictatorial leadership and the racism lay corporatism. It was the intellectual foundation of fascism. And it was supposed to have been destroyed along with both regimes in 1945.”
- John Ralston Saul, “Unconscious Civilization,” 2006).

“Voltaire and his contemporaries believed that reason was the best defense against the arbitrary power of monarchs and the superstitions of religious dogma. It was the key not only to challenging the powers of kings and aristocracies but also to creating a more just and humane civilization. While the emphasis on reason has become one of the hallmarks of modern thought, today's rational society bears little resemblance to the visions of the great 17th and 18th century humanist thinkers. Our ruling elites justify themselves in the name of reason, but all too often their power and their methodology is based on specialized knowledge and the manipulation of rational "structures" rather than reason. Today the link between reason and justice has been severed and our decision-makers, bereft of a viable ethical framework, have turned rational calculation into something short-sighed and self-serving. The result, Saul observes, is that we live in a society fixated on rational solutions, management, expertise, and professionalism in almost all areas, from politics and economics to education and cultural affairs.

The cult of expertise is one of the defining characteristics of today's rational elites, as Saul sees it. "Among the illusions which have invested our civilization is an absolute belief that the solutions to our problems must be a more determined application of rationally organized expertise. The reality is that our problems are largely the product of that application."

The division of knowledge into "feudal fiefdoms of expertise" has meant that general understanding and coordinated action are increasingly difficult and often looked upon with suspicion, as evidenced by our systems of education which reward the specialist and disdain the generalist. It has also resulted in a fracturing of society into smaller and smaller and increasingly insulated professional groups. While the emergence of professionalism has paralleled the rise of individualism over the last two centuries, the result has not been greater individual autonomy and self-determination, as was once hoped, but isolation and alienation.

"The professional [found] that he could build his personal empire but curiously enough, the more expert he became, the more his empire shrank."


The great schism between the principles of democracy and the practices of modern rational governments has brought about not only widespread public frustration and anger, but also a general contempt among the ruling elites for the citizenry. While they cooperate with the established representational systems of democracy, Saul says, they do not believe in the value of the public's contribution. Nor do they believe in the existence of a public moral code.

"This means that in dealing with the public, they find it easier to appeal to the lowest common denominator within each of us. That this often succeeds reinforces their contempt for a public apparently capable of nothing better."

-Scott London ( Book Review: “Voltaire’s Bastards-The Dictatorship of Reason in the West by John Ralston Saul,” 1996. Image: -Lewis Wickes Hine, Child Laborers: Elsie & Sadie at their yarn machines, Yazoo City, Mississippi, May 1911).

Saturday, July 26, 2008

On Reason: Magic, Religion, Decency & Kindness...

"He had, in fact, got everything from the church and Sunday School, except, perhaps, any longing whatever for decency and kindness and reason." -Sinclair Lewis ("Elmer Gantry", Novel: Chapter II-1, p. 34, 1927)."You never see animals going through the absurd and often horrible fooleries of magic and religion.... Dogs do not ritually urinate in the hope of persuading heaven to do the same and send down rain. Asses do not bray a liturgy to cloudless skies. Nor do cats attempt, by abstinence from cat's meat, to wheedle the feline spirits into benevolence. Only man behaves with such gratuitous folly. It is the price he has to pay for being intelligent but not, as yet, quite intelligent enough."

-Aldous Huxley(1894–1963,“Amor Fati,” Texts and Pretexts, 1932. Image: Burt Lancaster from the Oscar winning film"Elmer Gantry", directed by Richard Brooks, 1960).