BIOLOGY: Lynn Margulis & Symbiosis In Cell Evolution

Evolution is no linear family tree, but change in the single multidimensional being that has grown to cover the entire surface of Earth.” -Lynn Margulis, What Is Life?   

Biologist Lynn Margulis died on November 22nd. She stood out from her colleagues in that she would have extended evolutionary studies nearly four billion years back in time. Her major work was  in cell evolution, in which the great event was the appearance of the eukaryotic, or nucleated, cell — the cell upon which all larger life-forms are based. Nearly forty-five years ago, she argued for its symbiotic origin: that it arose by associations of different kinds of bacteria. Her ideas were generally either ignored or ridiculed when she first proposed them; symbiosis in cell evolution is now considered one of the great scientific breakthroughs.

Margulis was also a champion of the Gaia hypothesis, an idea developed in the 1970s by the free lance British atmospheric chemist James E. Lovelock. The Gaia hypothesis states that the atmosphere and surface sediments of the planet Earth form a self- regulating physiological system — Earth's surface is alive. The strong version of the hypothesis, which has been widely criticized by the biological establishment, holds that the earth itself is a self-regulating organism; Margulis subscribed to a weaker version, seeing the planet as an integrated self- regulating ecosystem. She was criticized for succumbing to what George Williams called the "God-is good" syndrome, as evidenced by her adoption of metaphors of symbiosis in nature. She was, in turn, an outspoken critic of mainstream evolutionary biologists for what she saw as a failure to adequately consider the importance of chemistry and microbiology in evolution.

As I wrote in the introduction to the first part of the book (Part I: The Evolutionary Idea: "The principal debates are concerned with the mechanism of speciation; whether natural selection operates at the level of the gene, the organism, or the species, or all three; and also with the relative importance of other factors, such as natural catastrophes." These very public debates were concerned with ideas represented by George C. Williams and Richard Dawkins on one side and Stephen Jay Gould and Niles Eldredge on the other side. Not for Lynn Margulis, all the above scientists were wrong because evolutionary studies needed to begin four billion years back in time. And she was not shy about expressing her opinions. Her in-your-face, take-no-prisoners stance was pugnacious and tenacious. She was impossible. She was wonderful.
 
- John Brockman ("Lynn Margulis 1938-2011, Gaia Is A Tough Bitch:" The Edge, 11.23.2011. Image: Artist rendering of cell structure, 2010.

A Global Consciousness Project: The Machine That Could Tell The Future

"The past is but the past of a beginning." -H. G. Wells 

DEEP in the basement of a dusty university library in Edinburgh lies a small black box, roughly the size of two cigarette packets side by side, that churns out random numbers in an endless stream.  At first glance it is an unremarkable piece of equipment. Encased in metal, it contains at its heart a microchip no more complex than the ones found in modern pocket calculators.  But, according to a growing band of top scientists, this box has quite extraordinary powers. It is, they claim, the ‘eye’ of a machine that appears capable of peering into the future and predicting major world events.

The machine apparently sensed the September 11 attacks on the World Trade Centre four hours before they happened – but in the fevered mood of conspiracy theories of the time, the claims were swiftly knocked back by sceptics. But last December, it also appeared to forewarn of the Asian tsunami just before the deep sea earthquake that precipitated the epic tragedy.

Now, even the doubters are acknowledging that here is a small box with apparently inexplicable powers.

‘It’s Earth-shattering stuff,’ says Dr Roger Nelson, emeritus researcher at Princeton University in the United States, who is heading the research project behind the ‘black box’ phenomenon.

‘We’re very early on in the process of trying to figure out what’s going on here. At the moment we’re stabbing in the dark.’ Dr Nelson’s investigations, called the Global Consciousness Project, were originally hosted by Princeton University and are centred on one of the most extraordinary experiments of all time. Its aim is to detect whether all of humanity shares a single subconscious mind that we can all tap into without realising.  And machines like the Edinburgh black box have thrown up a tantalising possibility: that scientists may have unwittingly discovered a way of predicting the future.

Although many would consider the project’s aims to be little more than fools’ gold, it has still attracted a roster of 75 respected scientists from 41 different nations. Researchers from Princeton – where Einstein spent much of his career – work alongside scientists from universities in Britain, the Netherlands, Switzerland and Germany. The project is also the most rigorous and longest-running investigation ever into the potential powers of the paranormal.

‘Very often paranormal phenomena evaporate if you study them for long enough,’ says physicist Dick Bierman of the University of Amsterdam. ‘But this is not happening with the Global Consciousness Project. The effect is real. The only dispute is about what it means.’ The project has its roots in the extraordinary work of Professor Robert Jahn of Princeton University during the late 1970s. He was one of the first modern scientists to take paranormal phenomena seriously. Intrigued by such things as telepathy, telekinesis – the supposed psychic power to move objects without the use of physical force – and extrasensory perception, he was determined to study the phenomena using the most up-to-date technology available.

One of these new technologies was a humble-looking black box known was a Random Event Generator (REG). This used computer technology to generate two numbers – a one and a zero – in a totally random sequence, rather like an electronic coin-flipper.

The pattern of ones and noughts – ‘heads’ and ‘tails’ as it were – could then be printed out as a graph. The laws of chance dictate that the generators should churn out equal numbers of ones and zeros – which would be represented by a nearly flat line on the graph. Any deviation from this equal number shows up as a gently rising curve.

During the late 1970s, Prof. Jahn decided to investigate whether the power of human thought alone could interfere in some way with the machine’s usual readings. He hauled strangers off the street and asked them to concentrate their minds on his number generator. In effect, he was asking them to try to make it flip more heads than tails.

It was a preposterous idea at the time. The results, however, were stunning and have never been satisfactorily explained.  Again and again, entirely ordinary people proved that their minds could influence the machine and produce significant fluctuations on the graph, ‘forcing it’ to produce unequal numbers of ‘heads’ or ‘tails’.  According to all of the known laws of science, this should not have happened – but it did. And it kept on happening.

Dr. Nelson, also working at Princeton University, then extended Prof Jahn’s work by taking random number machines to group meditations, which were very popular in America at the time. Again, the results were eye-popping. The groups were collectively able to cause dramatic shifts in the patterns of numbers.

From then on, Dr Nelson was hooked.

Using the internet, he connected up 40 random event generators from all over the world to his laboratory computer in Princeton. These ran constantly, day in day out, generating millions of different pieces of data. Most of the time, the resulting graph on his computer looked more or less like a flat line. But then on September 6, 1997, something quite extraordinary happened: the graph shot upwards, recording a sudden and massive shift in the number sequence as his machines around the world started reporting huge deviations from the norm. The day was of historic importance for another reason, too. For it was the same day that an estimated one billion people around the world watched the funeral of Diana, Princess of Wales at Westminster Abbey.

Dr Nelson was convinced that the two events must be related in some way. Could he have detected a totally new phenomena? Could the concentrated emotional outpouring of millions of people be able to influence the output of his REGs. If so, how?  Dr Nelson was at a loss to explain it.

So, in 1998, he gathered together scientists from all over the world to analyse his findings. They, too, were stumped and resolved to extend and deepen the work of Prof Jahn and Dr Nelson. The Global Consciousness Project was born.

Since then, the project has expanded massively. A total of 65 Eggs (as the generators have been named) in 41 countries have now been recruited to act as the ‘eyes’ of the project. And the results have been startling and inexplicable in equal measure. For during the course of the experiment, the Eggs have ‘sensed’ a whole series of major world events as they were happening, from the Nato bombing of Yugoslavia to the Kursk submarine tragedy to America’s hung election of 2000. The Eggs also regularly detect huge global celebrations, such as New Year’s Eve.

But the project threw up its greatest enigma on September 11, 2001. As the world stood still and watched the horror of the terrorist attacks unfold across New York, something strange was happening to the Eggs. Not only had they registered the attacks as they actually happened, but the characteristic shift in the pattern of numbers had begun four hours before the two planes even hit the Twin Towers.

They had, it appeared, detected that an event of historic importance was about to take place before the terrorists had even boarded their fateful flights. The implications, not least for the West’s security services who constantly monitor electronic ‘chatter’, are clearly enormous.

‘I knew then that we had a great deal of work ahead of us,’ says Dr Nelson. What could be happening? Was it a freak occurrence, perhaps? Apparently not. For in the closing weeks of December last year, the machines went wild once more.

Twenty-four hours later, an earthquake deep beneath the Indian Ocean triggered the tsunami which devastated South-East Asia, and claimed the lives of an estimated quarter of a million people.

So could the Global Consciousness Project really be forecasting the future?

Cynics will quite rightly point out that there is always some global event that could be used to ‘explain’ the times when the Egg machines behaved erratically. After all, our world is full of wars, disasters and terrorist outrages, as well as the occasional global celebration. Are the scientists simply trying too hard to detect patterns in their raw data? The team behind the project insist not. They claim that by using rigorous scientific techniques and powerful mathematics it is possible to exclude any such random connections.

‘We’re perfectly willing to discover that we’ve made mistakes,’ says Dr Nelson. ‘But we haven’t been able to find any, and neither has anyone else. Our data shows clearly that the chances of getting these results by fluke are one million to one against. That’s hugely significant.’ But many remain sceptical.

Professor Chris French, a psychologist and noted sceptic at Goldsmiths College in London, says: ‘The Global Consciousness Project has generated some very intriguing results that cannot be readily dismissed. I’m involved in similar work to see if we get the same results. We haven’t managed to do so yet but it’s only an early experiment. The jury’s still out.’ Strange as it may seem, though, there’s nothing in the laws of physics that precludes the possibility of foreseeing the future.

It is possible – in theory – that time may not just move forwards but backwards, too. And if time ebbs and flows like the tides in the sea, it might just be possible to foretell major world events. We would, in effect, be ‘remembering’ things that had taken place in our future. ‘There’s plenty of evidence that time may run backwards,’ says Prof Bierman at the University of Amsterdam.

‘And if it’s possible for it to happen in physics, then it can happen in our minds, too.’ In other words, Prof Bierman believes that we are all capable of looking into the future, if only we could tap into the hidden power of our minds. And there is a tantalizing body of evidence to support this theory.

Dr John Hartwell, working at the University of Utrecht in the Netherlands, was the first to uncover evidence that people could sense the future. In the mid-1970s he hooked people up to hospital scanning machines so that he could study their brainwave patterns.

He began by showing them a sequence of provocative cartoon drawings. When the pictures were shown, the machines registered the subject’s brainwaves as they reacted strongly to the images before them. This was to be expected. Far less easy to explain was the fact that in many cases, these dramatic patterns began to register a few seconds before each of the pictures were even flashed up.

It was as though Dr Hartwell’s case studies were somehow seeing into the future, and detecting when the next shocking image would be shown next. It was extraordinary – and seemingly inexplicable.

But it was to be another 15 years before anyone else took Dr Hartwell’s work further when Dean Radin, a researcher working in America, connected people up to a machine that measured their skin’s resistance to electricity. This is known to fluctuate in tandem with our moods – indeed, it’s this principle that underlies many lie detectors.  Radin repeated Dr Hartwell’s ‘image response’ experiments while measuring skin resistance. Again, people began reacting a few seconds before they were shown the provocative pictures. This was clearly impossible, or so he thought, so he kept on repeating the experiments. And he kept getting the same results.

‘I didn’t believe it either,’ says Prof Bierman. ‘So I also repeated the experiment myself and got the same results. I was shocked. After this I started to think more deeply about the nature of time.’ To make matters even more intriguing, Prof Bierman says that other mainstream labs have now produced similar results but are yet to go public.

‘They don’t want to be ridiculed so they won’t release their findings,’ he says. ‘So I’m trying to persuade all of them to release their results at the same time. That would at least spread the ridicule a little more thinly!’ If Prof. Bierman is right, though, then the experiments are no laughing matter.

They might help provide a solid scientific grounding for such strange phenomena as ‘deja vu’, intuition and a host of other curiosities that we have all experienced from time to time. They may also open up a far more interesting possibility – that one day we might be able to enhance psychic powers using machines that can ‘tune in’ to our subconscious mind, machines like the little black box in Edinburgh.

Just as we have built mechanical engines to replace muscle power, could we one day build a device to enhance and interpret our hidden psychic abilities?  Dr Nelson is optimistic – but not for the short term. ‘We may be able to predict that a major world event is going to happen. But we won’t know exactly what will happen or where it’s going to happen,’ he says.

‘Put it this way – we haven’t yet got a machine we could sell to the CIA.’ But for Dr Nelson, talk of such psychic machines – with the potential to detect global catastrophes or terrorist outrages – is of far less importance than the implications of his work in terms of the human race.

For what his experiments appear to demonstrate is that while we may all operate as individuals, we also appear to share something far, far greater – a global consciousness. Some might call it the mind of God. ‘We’re taught to be individualistic monsters,’ he says. ‘We’re driven by society to separate ourselves from each other. That’s not right. We may be connected together far more intimately than we realise.’

Source: Daily Mail; London (UK), 2010.

Bertrand Russell: On God - "Knowledge, Kindliness & Courage"...

 EXCERPT – “Why I am not a Christian:”

The Emotional Factor

“As I said before, I do not think that the real reason why people accept religion has anything to do with argumentation. They accept religion on emotional grounds. One is often told that it is a very wrong thing to attack religion, because religion makes men virtuous. So I am told; I have not noticed it. You know, of course, the parody of that argument in Samuel Butler's book, Erewhon Revisited. You will remember that in Erewhon there is a certain Higgs who arrives in a remote country, and after spending some time there he escapes from that country in a balloon. Twenty years later he comes back to that country and finds a new religion in which he is worshiped under the name of the "Sun Child," and it is said that he ascended into heaven. He finds that the Feast of the Ascension is about to be celebrated, and he hears Professors Hanky and Panky say to each other that they never set eyes on the man Higgs, and they hope they never will; but they are the high priests of the religion of the Sun Child. He is very indignant, and he comes up to them, and he says, "I am going to expose all this humbug and tell the people of Erewhon that it was only I, the man Higgs, and I went up in a balloon." He was told, "You must not do that, because all the morals of this country are bound round this myth, and if they once know that you did not ascend into Heaven they will all become wicked"; and so he is persuaded of that and he goes quietly away.

 That is the idea -- that we should all be wicked if we did not hold to the Christian religion. It seems to me that the people who have held to it have been for the most part extremely wicked. You find this curious fact, that the more intense has been the religion of any period and the more profound has been the dogmatic belief, the greater has been the cruelty and the worse has been the state of affairs. In the so-called ages of faith, when men really did believe the Christian religion in all its completeness, there was the Inquisition, with all its tortures; there were millions of unfortunate women burned as witches; and there was every kind of cruelty practiced upon all sorts of people in the name of religion.

 You find as you look around the world that every single bit of progress in humane feeling, every improvement in the criminal law, every step toward the diminution of war, every step toward better treatment of the colored races, or every mitigation of slavery, every moral progress that there has been in the world, has been consistently opposed by the organized churches of the world. I say quite deliberately that the Christian religion, as organized in its churches, has been and still is the principal enemy of moral progress in the world."

Fear, the Foundation of Religion

"Religion is based, I think, primarily and mainly upon fear. It is partly the terror of the unknown and partly, as I have said, the wish to feel that you have a kind of elder brother who will stand by you in all your troubles and disputes. Fear is the basis of the whole thing -- fear of the mysterious, fear of defeat, fear of death. Fear is the parent of cruelty, and therefore it is no wonder if cruelty and religion have gone hand in hand. It is because fear is at the basis of those two things. In this world we can now begin a little to understand things, and a little to master them by help of science, which has forced its way step by step against the Christian religion, against the churches, and against the opposition of all the old precepts. Science can help us to get over this craven fear in which mankind has lived for so many generations. Science can teach us, and I think our own hearts can teach us, no longer to look around for imaginary supports, no longer to invent allies in the sky, but rather to look to our own efforts here below to make this world a better place to live in, instead of the sort of place that the churches in all these centuries have made it."
 
What We Must Do

"We want to stand upon our own feet and look fair and square at the world -- its good facts, its bad facts, its beauties, and its ugliness; see the world as it is and be not afraid of it. Conquer the world by intelligence and not merely by being slavishly subdued by the terror that comes from it. The whole conception of God is a conception derived from the ancient Oriental despotisms. It is a conception quite unworthy of free men. When you hear people in church debasing themselves and saying that they are miserable sinners, and all the rest of it, it seems contemptible and not worthy of self-respecting human beings. We ought to stand up and look the world frankly in the face. We ought to make the best we can of the world, and if it is not so good as we wish, after all it will still be better than what these others have made of it in all these ages. A good world needs knowledge, kindliness, and courage; it does not need a regretful hankering after the past or a fettering of the free intelligence by the words uttered long ago by ignorant men. It needs a fearless outlook and a free intelligence. It needs hope for the future, not looking back all the time toward a past that is dead, which we trust will be far surpassed by the future that our intelligence can create. “

-Bertrand Russell (EXCERPT: “Why I am not a Christian”,  Russell delivered this lecture on March 6, 1927 to the National Secular Society, South London Branch, at Battersea Town Hall. Published in pamphlet form in that same year, the essay subsequently achieved new fame with Paul Edwards' edition of Russell's book, Why I Am Not a Christian and Other Essays, 1957. VIDEO INTERVIEW: Bertrand Russell, 1959).

CONVERSATIONS: Samuel Johnson: Dying Easy & Supernatural Interposition...

”A man may be so much of everything that he is nothing of anything.”  -Samuel Johnson

A CONVERSATION: between Samuel Johnson & James Boswell, 1778:

Boswell: We must be contented to acknowledge that death is a terrible thing.

Johnson: Yes, sir. I have made no approaches to a state which can look on it as not terrible.                                                   Mrs. Knowles: Does not St. Paul say, “I have fought the good fight of faith, I have finished my course; henceforth is laid up for me a crown of life”?
   
Johnson: Yes, madam, but here was a man inspired, a man who had been converted by supernatural interposition.

Boswell: In prospect death is dreadful, but in fact we find that people die easy.

Johnson: Why, sir, most people have not thought much of the matter, so cannot say much, and it is supposed they die easy. Few believe it certain they are then to die, and those who do set themselves to behave with resolution, as a man does who is going to be hanged—he is not the less unwilling to be hanged.

Ms. Seward: There is one mode of the fear of death, which is certainly absurd: and that is the dread of annihilation, which is only a pleasing sleep without a dream.

Johnson: It is neither pleasing, nor sleep; it is nothing. Now mere existence is so much better than nothing that one would rather exist, even in pain, than not exist.

Boswell: If annihilation be nothing, then existing in pain is not a comparative state, but is a positive evil which I cannot think we should choose. I must be allowed to differ here, and it would lessen the hope of a future state founded on the argument that the Supreme Being, who is good as he is great, will hereafter compensate for our present sufferings in this life. For if existence, such as we have it here, be comparatively a good, we have no reason to complain, though no more of it should be given to us. But if our only state of existence were in this world, then we might with some reason complain that we are so dissatisfied with our enjoyments compared with our desires.

Johnson: The lady confounds annihilation, which is nothing, with the apprehension of it, which is dreadful. It is in the apprehension of it that the horror of annihilation consists.

 CREDITS:
- Samuel Johnson & James Boswell, 1778 / London, ( “ A Conversation: The Dying Is Easy ,” Lapham’s Quarterly. Image: Unknown, Woman visited by Death ).
                           
NOTE: James Boswell, from Life of Johnson. Arriving in London from Edinburgh in 1762, Boswell, then in his early twenties, soon met and befriended Samuel Johnson, who was a prominent essayist, poet, and lexicographer in his fifties. Boswell’s account of Johnson and his own journals, the latter only rediscovered in the twentieth century, form his unique contribution to the world of letters. His Life was published in two volumes in 1791, seven years after its subject had died at the age of seventy-five.

DISCOVERED: Bram Stoker's Private Diary

“Despair has its own calms.”  -Bram Stoker.

“I have learned not to think little of any one's belief, no matter how strange it may be. I have tried to keep an open mind, and it is not the ordinary things of life that could close it, but the strange things, the extraordinary things, the things that make one doubt if they be mad or sane.” - Bram Stoker.

THE private journal of Dracula creator Bram Stoker has been found after  lying undiscovered on his great-grandson's bookshelf in England, it emerged today. Stoker recorded his thoughts about his legendary character and other stories in the thin, unmarked book.

It had been passed down by his ancestors for more than a century before arriving in Noel Dobbs' home on the Isle of Wight.

Providing a snapshot of Dublin between 1871 and 1881, as well as a window on the life of the very private Stoker, the notebook was found by the author's great-grandson, Noel Dobbs. Dobbs sent photographs of pages from the book to his relative, Stoker's great-grandnephew Dacre Stoker  author of the recent novel Dracula: The Un-Dead, and Stoker has worked to decipher his ancestor's "terrible" handwriting with Dr Elizabeth Miller of the Transylvanian Society of Dracula. The Lost Journal, complete with annotations, is now lined up for publication by Robson Press next year, marking the centenary of Bram Stoker's death in 1912.

The 100-odd-page notebook covers the period when Stoker was a student at Trinity College in Dublin and a clerk at Dublin Castle, written in a clear precursor to the journalistic style of Dracula and containing the author's earliest attempts at poetry and prose. "There are some definite parallels between this notebook and Jonathan Harker's journal, and certain entries from Bram's notebook actually resurfaced twentysomething years later in Dracula.  Because he wrote little about himself, Dracula fans and Stoker scholars have largely been free to speculate about Bram. Rumours and myths have taken on a life of their own. Now, with this chapter of Bram's life revealed, the rest of his life will be more accurately interpreted," said Dacre Stoker.

'It's kind of incredible, but Noel was rather blasé about it,' said Dacre. 'When I saw it, I was amazed. 'I thought, 'The Holy Grail! We've found it!'

 'There is so little written by Bram about Bram. Family, scholars and hard-core fans -- so many people have wanted to know what made the man who wrote 'Dracula' tick. And here we had a major set of clues.'

His book, 'The Lost Journal,' will be published next March to mark 100 years since the author died in April 1912.

Dacre Stoker has worked with Bram Stoker scholars to annotate the journal which the author began in 1871 when he was in his early 20s. It would be more than a decade before the author learned about the primary inspiration for his Count Dracula, 'Vlad the Impaler.'

The last entry of Stoker's journal in 1881 hints at a major character he would use in Dracula, a man who  was driven to eat living things including flies.

Another entry reads "A man builds up a shadow on a wall bit by bit by adding to substance. Suddenly the shadow becomes alive", and would later become the kernel for Stoker's story The Shadow Builder. A note reading "'Palace of Fairy Queen. Child goes to sleep & palace grows – sky changes into blue silk curtains" foreshadows Stoker's frequent use of dreaming children in stories including Lies and Lilies and The Wondrous Child.

Stoker died before his Count Dracula became internationally famous when Bela Lugosi played him as a suave nobleman in the 1930s film. But in true Bram Stoker style, he left behind one more mystery. In one of his books, the author alludes to another diary which is not the notes found in the Isle of Wight.

'There's something else out there - that missing piece, this mystery diary,' Stoker said. 'I'm dying to know where it is.'”

( "It's the Holy Grail': Private journal of Dracula's creator Bram Stoker found on relative's bookshelf on the Isle of Wight", 10/31/2011. Image: Book cover for Bram Stoker's Dracula, Penguin Classics.).


 

Anonymous Speaks: Operation Bohemian Grove, 7.13. 2011: "Fools! Fools! Fools To Dream You Conquer Care..."

ANONYMOUS SPEAKS:



"Weaving soldiers come not here." -  On Bohemian Grove Logo. 

The hackers’ collective Anonymous may have  obtained “literally explosive” information concerning Bohemian Grove, an annual  gathering of power brokers from the US and Europe set to meet this week in  California, which many see as a nefarious avenue through which elitists secretly manipulate world affairs.

Bohemian Grove is a privately owned 2,700 acre  compound in Monte Rio, California surrounded by giant old-growth redwood trees.  Once a year it plays host to a bizarre confab attended by some of the most  powerful people in the world, including many US politicians and government  officials, during which participants embroil themselves in a heady mixture of  plutocratic plotting and occult pagan ritual ceremonies.

The Anonymous hacking group, which has already  announced its intention to occupy the entrance to the Bohemian Grove compound as  a protest against the group’s secrecy, may also be about to leak a whole  treasure trove of information about the organization as part of what has been  dubbed “the biggest day in Anonymous’s history”.

As part of a series of hacks conducted to protest  the treatment of Wikileaks founder Julian Assange, to whom Anonymous has  attached itself, the collective says it is about to unleash “literally  explosive” material on a number of organizations, including the London  Metropolitan Police and other agencies connected to the UK judicial system.

The hacks are timed to coincide with Assange’s  appeal hearing against extradition, which begins today.

“Speculation centres around material claimed to  have been obtained last week from contractors relating to security and secrecy  of “former world leaders”, or plans to target a senior leaders’ retreat at  Bohemian Grove, California,” write  the Guardian’s James Ball and Charles Arthur

Former Secretaries of State George Shultz and  James Baker are set to give lakeside talks at the event this year, which begins  Friday and runs for the next two weeks. But the details of what they say will  not be covered by any media outlet, the meeting is secret and any uninvited  guests are hastily dealt with by security guards and police.

Alex Jones became the first journalist to capture on video  the ‘Cremation of Care’ ceremony, where Grove members dressed in "Eyes Wide Shut" style hooded capes make a mock child sacrifice to Moloch, the pagan owl god,  represented as a 50-foot statue carved out of a hollowed redwood tree.

Presidents Nixon and Reagan  both attended the elitist get-together before they captured the Oval Office.  George  W. Bush was also introduced to Grove power brokers in 1995 by his father  five years before becoming President.

Nixon infamously later described the encampment as  the “most faggy  goddamned thing you could ever imagine,”perhaps in reference to the fact  that male prostitutes and porn stars are routinely transported to the facility  to “serve the moguls,” as  the New York Post reported in 2004. Few women are allowed to work at the  camp and those that do are prevented from accessing many areas of the site.  Young men of high school and college age make up most of the temporary employees  hired by Grove organizers.

Although the establishment media routinely claims  the event is little more than a holiday camp, in  1942 it was the setting for the birthplace of the Manhattan Project which  led to the creation of the atomic bomb, a story often retold by Grove members  who are proud of the fact that the most important scientific development of the  20th century was conceived there.

CREDITS:

-Paul Joseph Watson ( "Anonymous Could Unleash “Literally Explosive” Material on Bohemian Grove," Prison Planet.com, 7-12-2011.

 Image: The Bohemian Grove Deity - "Moloch" : Moloch was one  of the false gods that Israel would worship during its periods of apostasy.  This false deity is associated with Ammon in 1 Kings 11:7 "Then Solomon  built a high place for Chemosh the detestable idol of Moab, on the mountain  which is east of Jerusalem, and for Molech the detestable idol of the sons of  Ammon." One of the practices of the cult that worshiped Moloch was to sacrifice their children.

Genuflecting Before the God of Science: Nuclear Detonation Map: 1945-1998

“The optimist thinks this is the best of all possible worlds. The pessimist fears it is true.” -J. Robert Oppenheimer

"The 2053 nuclear tests and explosions that took place between 1945 and 1998 are plotted visually and audibly on a world map. As the video starts out detonations are few and far between. The first three detonations represent the Manhattan Project and the two bombs that ended World War II. After a few representative minutes the USSR and Britain enter the nuclear club and the testing really starts to heat up.

"CREDITS:
-0Dont0Blink0(Youtube.com)

The Chronic & Meaningful Confabulations of The Artist....

“Great liars are also great magicians" -Adolf Hitler

"Shortly before his death, Marlon Brando was working on a series of instructional videos about acting, to be called “Lying for a Living”. On the surviving footage, Brando can be seen dispensing gnomic advice on his craft to a group of enthusiastic, if somewhat bemused, Hollywood stars, including Leonardo Di Caprio and Sean Penn. Brando also recruited random people from the Los Angeles street and persuaded them to improvise (the footage is said to include a memorable scene featuring two dwarves and a giant Samoan). “If you can lie, you can act,” Brando told Jod Kaftan, a writer for Rolling Stone and one of the few people to have viewed the footage. “Are you good at lying?” asked Kaftan. “Jesus,” said Brando, “I’m fabulous at it.”

Brando was not the first person to note that the line between an artist and a liar is a fine one. If art is a kind of lying, then lying is a form of art, albeit of a lower order—as Oscar Wilde and Mark Twain have observed. Both liars and artists refuse to accept the tyranny of reality. Both carefully craft stories that are worthy of belief—a skill requiring intellectual sophistication, emotional sensitivity and physical self-control (liars are writers and performers of their own work). Such parallels are hardly coincidental, as I discovered while researching my book on lying. Indeed, lying and artistic storytelling spring from a common neurological root—one that is exposed in the cases of psychiatric patients who suffer from a particular kind of impairment.

A case study published in 1985 by Antonio Damasio, a neurologist, tells the story of a middle-aged woman with brain damage caused by a series of strokes. She retained cognitive abilities, including coherent speech, but what she actually said was rather unpredictable. Checking her knowledge of contemporary events, Damasio asked her about the Falklands War. This patient spontaneously described a blissful holiday she had taken in the islands, involving long strolls with her husband and the purchase of local trinkets from a shop. Asked what language was spoken there, she replied, “Falklandese. What else?”

In the language of psychiatry, this woman was ‘confabulating’. Chronic confabulation is a rare type of memory problem that affects a small proportion of brain-damaged people. In the literature it is defined as “the production of fabricated, distorted or misinterpreted memories about oneself or the world, without the conscious intention to deceive”. Whereas amnesiacs make errors of omission—there are gaps in their recollections they find impossible to fill—confabulators make errors of commission: they make things up. Rather than forgetting, they are inventing.

Confabulating patients are nearly always oblivious to their own condition, and will earnestly give absurdly implausible explanations of why they’re in hospital, or talking to a doctor. One patient, asked about his surgical scar, explained that during the second world war he surprised a teenage girl who shot him three times in the head, killing him, only for surgery to bring him back to life. The same patient, when asked about his family, described how at various times they had died in his arms, or had been killed before his eyes. Others tell yet more fantastical tales, about trips to the moon, fighting alongside Alexander in India or seeing Jesus on the Cross. Confabulators aren’t out to deceive. They engage in what Morris Moscovitch, a neuropsychologist, calls “honest lying”. Uncertain, and obscurely distressed by their uncertainty, they are seized by a “compulsion to narrate”: a deep-seated need to shape, order and explain what they do not understand.

As with the woman who told of her holiday in the Falklands, the stories spun by chronic confabulators are conjured up instantaneously—an interlocutor only has to ask a question, or say a particular word, and they’re off, like a jazz saxophonist using a phrase thrown out by his pianist as the start of his solo. A patient might explain to her visiting friend that she’s in hospital because she now works as a psychiatrist, that the man standing next to her (the real doctor) is her assistant, and they are about to visit a patient. Chronic confabulators are often highly inventive at the verbal level, jamming together words in nonsensical but suggestive ways: one patient, when asked what happened to Queen Marie Antoinette of France, answered that she had been “suicided” by her family. In a sense, these patients are like novelists, as described by Henry James: people on whom “nothing is wasted”. Unlike writers, however, they have little or no control over their own material.

Chronic confabulation is usually associated with damage to the brain’s frontal lobes, particularly the region responsible for self-regulation and self-censoring. Of course we all are sensitive to associations—hear the word “scar” and you too might think about war wounds, old movies or tales of near-death experiences. But rarely do we let these random thoughts reach consciousness, and fewer still would ever articulate them. We self-censor for the sake of truth, sense and social appropriateness. Chronic confabulators can’t do this. They randomly combine real memories with stray thoughts, wishes and hopes, and summon up a story from the confusion.

The wider significance of this condition is what it tells us about ourselves. Evidently there is a gushing river of verbal creativity in the normal human mind, from which both artistic invention and lying are drawn. We are born storytellers, spinning narrative out of our experience and imagination, straining against the leash that keeps us tethered to reality. This is a wonderful thing; it is what gives us our ability to conceive of alternative futures and different worlds. And it helps us to understand our own lives through the entertaining stories of others. But it can lead us into trouble, particularly when we try to persuade others that our inventions are real. Most of the time, as our stories bubble up to consciousness, we exercise our cerebral censors, controlling which stories we tell, and to whom. Yet people lie for all sorts of reasons, including the fact that confabulating can be dangerously fun.

During a now-famous libel case in 1996, Jonathan Aitken, a former cabinet minister, recounted a tale to illustrate the horrors he endured after a national newspaper tainted his name. He told of how, on leaving his home in Westminster one morning with his teenage daughter, he found himself ‘stampeded’ by a documentary crew. Upset and scared by the crew’s aggressive behaviour, his daughter burst into tears, he said, and Aitken bundled her into his ministerial car. But as they drove away he realised that they were being followed by the journalists in their van. A hair-raising chase across central London ensued. The journalists were only shaken off when Aitken executed a cunning deception: he stopped at the Spanish embassy and swapped vehicles.

The case, which stretched on for more than two years, involved a series of claims made by the Guardian about Aitken’s relationships with Saudi arms dealers, including meetings he allegedly held with them on a trip to Paris while he was a government minister. What amazed many in hindsight was the sheer superfluity of the lies Aitken told during his testimony. Some were necessary to maintain his original lie, but others were told, it appeared, for the sheer thrill of invention. As Aitken stood at the witness stand and piled lie upon lie—apparently carried away by the improvisatory act of creativity—it’s possible that he felt similar to Brando during one of his performances. Aitken’s case collapsed in June 1997, when the defense finally found indisputable evidence about his Paris trip. Until then, Aitken’s charm, fluency and flair for theatrical displays of sincerity looked as if they might bring him victory. The first big dent in his façade came just days before, when a documentary crew submitted the unedited rushes of their “stampede” encounter with Aitken outside his home. They revealed that not only was Aitken’s daughter not with him that day (when he was indeed doorstepped), but also that the minister had simply got into his car and drove off, with no vehicle in pursuit.

Of course, unlike Aitken, actors, playwrights and novelists are not literally attempting to deceive us, because the rules are laid out in advance: come to the theatre, or open this book, and we’ll lie to you. Perhaps this is why we felt it necessary to invent art in the first place: as a safe space into which our lies can be corralled, and channelled into something socially useful. Given the universal compulsion to tell stories, art is the best way to refine and enjoy the particularly outlandish or insightful ones. But that is not the whole story. The key way in which artistic “lies” differ from normal lies, and from the “honest lying” of chronic confabulators, is that they have a meaning and resonance beyond their creator. The liar lies on behalf of himself; the artist tell lies on behalf of everyone. If writers have a compulsion to narrate, they compel themselves to find insights about the human condition. Mario Vargas Llosa has written that novels “express a curious truth that can only be expressed in a furtive and veiled fashion, masquerading as what it is not”. Art is a lie whose secret ingredient is truth."

-Ian Leslie ("Are Artists Liars", More Intelligent Life Magazine, 5-24-2011). Image: Marlon Brando in "Apocalypse Now", directed by Francis Ford Coppola, 1979.